one version (2006):

12 inkjet prints on water colour paper, each 18 x 24 cm
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During a longer preoccupication with early “abstract” painting like that of the artists of Bauhaus and the Russian suprematists, and in particular the coloured shapes and (spacial) compositions of Lissitzky, I felt something was missing. This, along with a strong fascination for serial photography, was one reason why I chose to use my body as part of the picture - to better feel and comprehend, to make
a “real-life” bridge to these abstractions. It was only afterwards I discovered that Oskar Schlemmer with the Triadic Ballet had already been there, in his way. None- theless, I had found a language to articulate notions and feelings I until then had been unable to express otherwise.

Chateaux Ivre version (2006/2007)

[more text coming]

@
die sonne hängt tiefer, es wird herz


with thanks to Olaf Schmidt, Thomas Heidtmann, Riikka Taurinainen and xx.


this version: 13 c-prints, 


[more info coming]